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           Art Center College of Design   
         
Hillside Campus: 1700 Lida ST. Pasadena, CA 9110¡¡
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Art Center¡¯s Hillside Campus¿Í South Campus·Î µÇ¾î ÀÖ°í Ä·ÆÛ½º ±Ô¸ð´Â ¾à 100,000-squareÁ¤µµ·Î Pasadena½Ã¿¡ ÀÖ°í
  ´õ ³ª¾Æ°¡ LA ¿¡ »çȸ ¹®È­Àû °øÇåÀ» Çϰí ÀÖ´Ù.
1930³â¿¡ ¼³¸³µÈ Art Center´Â ÇöÀç Á¹¾÷»ý 97%°¡ Á÷ÀåÀ» °®°Ô µÇ°í, Çлý ¼ö´Â Hillside Campus¿¡ ¾à 1,400¸í ±×¸®°í South Campus¿¡
   ºñÁ¤±Ô °úÁ¤ 5,200¸í Á¤µµ¸¦  ¼ö¿ë ÇÒ ¼ö ÀÖ´Ù.

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  Çаú¿Í ÇÐÀ§ 
Undergraduate
  
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Graduate  

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For 2006     
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ÇкÎ- $12,804-13,299 per semester
´ëÇпø- $13,535-14,058 per semester
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  ÀÔÇÐ Áö¿ø ¼­·ùµé
Undergraduate
  • application form°ú $65 application fee 
  • Portfolio ¼³¸í¼­ list : ¹øÈ£, Medium, Å©±â, ¿Ï¼ºÀÏ, Title Ç¥±â
  • Personal statement of purpose
  • °í±³ ¼ºÀû Áõ¸í¼­
  • ´Ù´Ñ ´ëÇÐ(±³µé)ÀÇ ¼ºÀû Áõ¸í¼­
  • Çö°í±³»ýÀº Scholastic Aptitude Test (SAT I)
  • TOEFL 213(ÇкÎ) ÀÌ»ó Çʼö  
Graduate
  • application form°ú $65 application fee 
  • Portfolio 
  • ¼ºÀû Áõ¸í¼­µé
  • Portfolio ¼³¸í¼­ list
  • À̷¼­
  • Ãßõ¼­µé
  • Personal statement of purpose. °¢ Dept¿¡ µû¶ó ƯÀ̿䱸 »çÇ× ÀÖÀ½
  • TOEFL 250(600) 
  ¿ø¼­ ¸¶°¨ÀÏ 
Undergraduate  °¡À»Çбâ:    3 ¿ù 1 ÀÏ,  ¿©¸§Çбâ: 2¿ù 1ÀÏ
                       º½Çбâ:     10 ¿ù 1ÀÏ 
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Graduate                 2 ¿ù 1 ÀÏ 
 Portfolio ¿ä±¸ »çÇ×
Undergraduate
  1. ÃÖ¼Ò 12 ¿¡¼­ 20°³ÀÇ ¿øÀÛǰµé, Áö¿øÇÏ´Â Çаú¿Í °ü·Ã ¿ä±¸µÈ ÀÛǰÀ» Æ÷ÇÔÇÏ¿©. ÆíÀÔÀ» À§Çؼ­´Â Àü°øºÐ¾ßÀÇ 20°³ ÀÌ»ó ÀÛǰ.
    ´ëºÎºÐ Àü°øÀº portfolioÀÇ slides¸¸ Çã¿ëÇÏÁö ¾ÊÀ½; 3D³ª Å« Å©±â ÀÛǰÀÇ slides or photographs´Â ¿ä±¸µÈ ¿ø ÀÛǰµé¿¡ Ãß°¡ÇÏ¿©
    Á¦Ãâ ÇÒ ¼ö ÀÖÀ½. slides´Â Slide ³¢¿ì´Â ÆÇ¿¡, ½ºÄÉÄ¡ºÏµµ Æ÷ÇÔÇÏ¿© Á¦Ãâ ÇÒ ¼ö ÀÖ´Ù. Color copies are acceptable for some departments as described.
    1. In addition to work specified for your major, be sure to include pieces that will help the committee to understand
      the diversity of your interests and that will suggest your ability to work within a trans-disciplinary curriculum.
      Although no specific number of pieces outside your major is required, work that reflects your thinking or abilities outside your major will be important components.
  2. SamplesÀº ÆíÆíÇϰí rolledÀÌ ¾Æ´Ï¾î¾ß ÇÔ. ÇÁ·¹ÀÓ°ú À¯¸®´Â Çã¿ë ¾ÊÀ½. tape·Î ¾º¿ì°Å³ª °¢ ÀÛǰÀ» °³º°·Î ½ÎÁö ¾Êµµ·Ï.
    1. Portfolios 24-by-36 inchesÀÇ ³ôÀÌ, 8 inchesÀÇ ³ÐÀ̸¦ ³ÑÁö ¾Êµµ·Ï, ÃÖ´ë ¹«°Ô´Â 25 poundsÀÓ.
      ¹«°Å¿î cartons; ¿î¹Ý ºñ¿ëÀÌ ºñ½Ñ °Í, ´Ù·ç±â Èûµç °ÍÀº ÇÇÇϵµ·Ï.
    2. Pieces±â a case or container¿¡ º¸³»Áöµµ·Ï.
  3. Áö¿øÀÚ À̸§À» portfolio ¹Û¿¡ ¾²°í. °¢ portfolio pieceÀÇ µÞ ¸é¿¡µµ À̸§À» ¾²µµ·Ï. ºÐ½Ç°ú ÈѼÕÀº Çб³¿¡¼­ Ã¥ÀÓÀÌ ¾øÀ½.
  4. Á÷Á¢ portfolio¸¦ Admissions Office¿¡  8:30 a.m.~ 4:30 p.m.(¿ù-±Ý)±îÁö °¡Áö°í ¿Àµµ·Ï. ¸¸¾à ¿ìÆíÀ¸·Î ºÎÄ¥ ¶§´ÂPortfolios°¡
    24-by-36 inches or 25 pounds°¡ ³ÑÁö ¾Êµµ·Ï ÇÑ´Ù. 
  5. ¹ÝȯÀ» ¿øÇÏ´Â portfolio´Â $100À» check or money order¸¦ º¸³»µçÁö Á÷Á¢ Admissions Office¿¡¼­ °¡Á® °¡µµ·Ï ÇÑ´Ù.
    ¡¡

    Advertising
    10-12 original advertising concepts that you have developed. These examples should combine copy and visuals.
    They may be presented in any form that best communicates the idea; they need not be computer-generated. Color or
    black-and-white copies are acceptable in lieu of originals. Sketches, drawings, photographs, illustrations and/or
    graphic designs may also be included. Sketchbooks or notebooks showing preliminary visual and verbal idea
    development and process should be included. Emphasis is placed on ideas and problem solving.

    Environmental Design
    Submit a minimum of three spatially or three-dimensionally oriented projects. These should include drawings and
    sketches, along with photographs of models or slides that demonstrate an understanding of three-dimensional space, technical skills and design sensibility. Examples of work may include interior design, furniture design, lighting design,
    set design, and architectural design projects. Limited examples of drafting or technical drawing are acceptable
    but must be accompanied by three-dimensional representations. The purpose of the portfolio is to determine a
    candidate¡¯s potential for success within the department. Applicants will be considered for their design concepts, as
    well as basic drawing and model-making skills. A descriptive paragraph explaining the design concept and solution
    should be included with each project submitted. Quantity is not as important as quality. Color copies of sketches and
    models are acceptable in lieu of originals.

    Film
    Submit completed film or video projects of at least three minutes total running time. There is no maximum-length
    requirement, but lengthy portfolios (30 minutes or more) can cause delays in the application process. Several short films/videos are also acceptable. Films/videos should represent an interpretation of a subject, tell a story or present
    a point of view, rather than simply record a situation. They should also demonstrate concern for photographic
    composition, editing and staging. Submitted work may be a documentary, drama, comedy or several 30- to 60-second commercial spots or music videos. Still photographs, prints, and artwork are helpful additions but do not replace the
    required film work. Mark the cassette clearly on the outside with running time and medium. All work must be submitted
    in 1/2-inch VHS, 3/4-inch NTSC U-Matic formats, DVD, or CD. PAL and Beta formats, as well as 8mm, 16mm, and 35mm
    prints, are not acceptable for review.

    Fine Art Media
    Include a representative selection of your work in any media. In addition to submitting examples of foundation skills that demonstrate particular abilities, it is important to also present personal work that reveals experimentation. Any direction
    and any medium will be considered, including all forms of drawing, representational and nonobjective painting, sculpture, printmaking, photography, film, video and installation documentation. Conceptual work and artist¡¯s statements are also welcome. For larger works, or if the originals are not available, please submit appropriate slides. Applicants seeking to
    major in Fine Art Media with a Photography + Imaging minor should also submit at least eight black-and-white photographs with contact sheets.

    Graphic Design
    Include layouts or comprehensives for projects, such as posters, brochures, editorial design, package design, motion graphics, Web design and identity systems. Pieces that exhibit a grasp of an issue, an individual point of view, or
    a unique approach to a problem are helpful. Evidence of an understanding of and passion for typography is a must.
    Samples of logotypes, lettering, life drawing, and general color and design assignments should be included.
    A combination of finished pieces and sketches is desirable. If submitted work has been produced, attach an explanation
    of the role played in the creation of the work (overall design, production only, etc.). Color copies are acceptable in lieu of originals. Motion work should be submitted as storyboards as well as on CD (Quicktime files that are optimized at 200 MB
    or less and Mac-compatible).

    Illustration
    Submit life and figure drawings from live models. Other observational drawings from life are also important. Include
    imaginative drawings and design concepts in color and black and white. Include pieces that convey a story or concept. Emphasis is placed on observational drawing skills as well as personal expression and conceptual development. Sketchbooks can be a helpful addition.

    Photography + Imaging
    Submit a minimum of 20 black-and-white and/or color prints or color slides. Any combination of these is acceptable.
    The prints should be at least five by seven inches and should include related contact sheets. If you submit slides, mark
    each one clearly with your name, title of work (if applicable), and an arrow indicating the top of the image. Any slides
    should be submitted in a KODAK 80 carousel with box. The sides of the carousel tray and the box top should be labeled
    with your name, address and number of slides submitted (20 maximum). Slides will be presented as they are received,
    so preview your slides to assure they are inserted properly for projection. The works should reflect a connection between
    idea and technique and display strengths in implementing your original vision. Variety of subject matter, concept and exploration is encouraged. Presentation of the printed work is also important: Photographs should be mounted, matted on boards or
    placed in clear pages in a binder or portfolio case.

    Product Design
    Submit sketches and finished drawings of three or more original product designs (consumer products such as coffeemakers, toasters or personal stereos; furniture; lighting; or medical and computer equipment). Emphasis should
    be on the function of the product, as well as the aesthetics and originality of the design. At least one project should show
    a thorough researching and exploration of a product from beginning through intermediate sketches to a final finished
    rendering of the product. Inclusion of three-dimensional models is optional. Of primary importance are exploratory
    sketches that show a variety of solutions and ideas for each product presented. Sketchbooks should be included.
    Color copies are acceptable in lieu of original drawings.

    Transportation Design
    Submit drawings and sketches of original design concepts for transportation products such as automobiles, trucks,
    buses, trains and motorcycles. Inclusion of designs for non-vehicular products is encouraged, particularly with evidence
    of problem solving. Technical-drawing skills must be displayed. Inclusion of informal sketches (loose or in notebook form) that show idea development is highly recommended. Color copies are acceptable in lieu of originals.


Graduate

 
Criticism & Theory
  20 typed pages of theoretical/critical writing that constitutes an expanded analysis of
  some aspect of 20th century art or design theory.

  Film
  ÃÖ¼Ò 3 ºÐÀÇ original film work in 1/2-inch or 3/4-inch formats, DVD or CD.

  Art 
  slides, video, DVD or CDµîÀ¸·Î Á¦Ãâ. film, video, performance, or sound·Î ÀÛǰÀ» ¸¸µé ¼ö ÀÖÀ½.
  ¿ø ÀÛǰÀº Á¦ÃâÇÏÁö ¸¶¼¼¿ä.


 
Industrial Design 

  Ưº°È÷ Á¦Ç°, ȯ°æ, ¿î¼ÛµîÀÇ µðÀÚÀο¡ ÁýÁß °ü·ÃÇÏ¿© º¹ÇÕµÈ Èï¹Ì¸¦ º¸ÀÏ ¼ö ÀÖ´Â °Í.
  PortfolioÁ¦ÃâÀº ¿Ï¼ºµÈ ÀÛǰ»Ó¸¸ ¾Æ´Ï¶ó Ãʾȵµ Á¦ÃâÇϵµ·Ï.

  Media Design
  advanced-level graphic design ÀÛǰÀ» Æ÷ÇÔÇÏ¿© form, typography, and image compositionµî¿¡ °­ÇÑ °æ·ÂÀ»
  º¸¿©¾ß ÇÔ. Interactive workÀº visual control°ú strong information architecture, integration of multiple media,
  dynamic presentation, and productive interaction¸¦ º¸¿©¾ß ÇÔ. Experimental animation or video¶ÇÇÑ °í·ÁµÊ
  Slides´Â Çã¿ë ¾ÊÀ½. ¼³¸í¼­µµ µµ¿òÀûÀÓ. Áö¿øÀÚ°¡ Çб³³ª »ó¾÷Àû ¿¬°è µÈ ÀÛǰ°ú °³ÀÎ ÀÛǰÀ» Á¦ÃâÇϵµ·Ï ÃßõÇÔ.
  FormatsÀº print, CD-ROM, DVD, or VHS video·Î Á¦Ãâ. digitalÀº Macintosh¿Í PC°¡´É. Web URLµµ Çã¿ë.
  CD-ROMÀº ÁÖÀǸ¦ °¡Áö°í Á¦Ãâ.
  list of portfolio°¡ ¿ä±¸µÊ. ÀÛǰ¿¡¼­ º»ÀÎÀÌ ÇÑ °ÍÀ» ±âÀçÇÏ°í ´Ü º»ÀÎ ºÎºÐ °Í¸¸ Á¦ÃâÇÏÁö ¸¶½Ã¿À.
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