 |
|
|
|
|
|
|
||
 |
Division in Music, Dance, Theater
|
|
|
2008-2009 Academy Year TUITION CHARGES: 
UNDERGRADUATE DIVISION: - Degree Programs (B.M. or B.F.A.): $30,400 - Diploma Program (C.D.P.): $31,100 - Extra Courses Taken in Class (per credit hour): $1,260 - Extra Private Instruction (per credit hour): $1,440 - Remedial Courses (per credit hour): $600 - ESL Courses (per credit hour): $630 - Audit Fee (per credit hour): $630
- Degree Program (all M.M. except Opera Performance, Musical Theater, and Music Education): Full Time $28,700 / Part Time (per credit hour)1,260 - Degree Program (M.M. in Opera Performance and Musical Theater): Full Time $30,400 - Degree Program (M.M. and G.D. in Music Education): Full Time (per credit hour)$1,260 / Part Time (per credit hour)$1,260 - Life Experience Waiver (per credit hour) $630 - Music Education Practicum (per course)$345 to $1,730 - Graduate Performance Diploma: $18,400 - Graduate Performance Diploma in Opera: Full Time $24,700 / Part Time (per credit hour)$1,090 - Artist Diploma in Performance and Opera (A.D.P.): Full Time $18,300 / Part Time (per credit hour) $1,260 - Extra Private Instruction (per credit hour): $.1,440 - Remedial Courses (per credit): $600 - ESL Courses (per credit hour): $630 - Audit Fee (per credit hour): $630 |
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
학교 안내: 약 525명의 학생과 160명의 교수진 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
|
원서 및 오디션 마감일
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
오디션 곡
Undergraduate Music Audition Requirements
| Piano | |
| Undergraduate |
**
All works are to be performed from memory. • Baroque: a prelude and fugue from the Bach Well-Tempered Clavier, or an equivalent Baroque work. • Classical: a complete sonata in traditional form, or comparable major work. • Romantic: a major work of the applicant’s choice. • 20th Century: a work by a major composer such as Bartok, Debussy, Ravel, Prokofiev, Copland, lves, Schoenberg, or Messiaen. ** Accompanying Emphasis applicants (transfers only) will also be asked to sight-read, transpose, and do score reduction at the piano. |
| Graduate |
**All
works are to be performed from memory. Applicants must prepare all of the following: • Baroque: a prelude and fugue from the Well-Tempered Clavier or larger work of Bach, or an equivalent Baroque work. • Classical: a complete sonata in traditional form, or comparable major work (i.e. Beethoven “Eroica” Variations) • Romantic: a major work of the applicant’s choice • 20th Century: a significant work by a major composer such as Bartok, Debussy, Ravel, Prokofiev, Copland, lves, Schoenberg, or Messiaen. |
| Strings (Violin, Viola, Cello, Double Bass) | |
| Undergraduate |
**
Instrumental
auditions must be performed without accompaniment. • An etude or technical study. • Two movements of unaccompanied Bach. Bass players may substitute with another work of their choice. • A complete movement from the standard concerto repertoire • Using the Schott or International Edition Orchestral Excerpt books: select one excerpt from a Mozart Symphony and one excerpt from any Romantic period orchestral work. • All major and minor scales (minimum four notes slurred per bow) and arpeggios (three notes slurred per bow) of applicant's choice. • Recorded auditions should include one major and one minor scale and arpeggio of your choice. |
| Graduate |
**
Instrumental
auditions must be performed without accompaniment • An etude or technical study • Two movements of unaccompanied Bach • A complete movement from the standard concerto repertoire • A work of the applicant’s choice (a 20th century work is recommended) • Using the International Edition Orchestral Excerpt books: select two excerpts from the symphonies of Mozart #35-41 and two excerpts from a Brahms symphony. • Please prepare all major and minor scales (minimum 4 notes slurred per bow) and arpeggios (3 notes slurred per bow). Taped auditions should include one major and one minor scale and arpeggio of your choice. |
| Voice | |
| Undergraduate |
**
All works are to be performed from memory.
학교오디션 시 반주자 제공함. 지역오디션은 반주자 동반, 녹음 반주는 허용 않음 • An Italian art song from the 17th or 18th century • An art song in German or French • An art song in English (not in translation) • ** No operatic arias please** |
| Graduate |
학교오디션 시 반주자 제공함. 지역오디션은 반주자 동반, 녹음 반주는 허용 않음
** All works are to be performed from memory. • An Italian art song • An art song in German • An art song in French • An art song in English (not a translation) • Optional: an aria from an opera or oratorio |
| Woodwinds (Bassoon, Clarinet. Flute, Oboe, Saxophone) | |
| Undergraduate |
**
Instrumental
auditions must be performed without accompaniment. • An Ètude • Two movements of a contrasting nature from a sonata or concerto |
| Graduate |
Two movements of contrasting
nature from the solo repertoire and two orchestral excerpts
|
| Harp | |
| Undergraduate |
**
Instrumental
auditions must be performed without accompaniment. • An etude or technical study • Two single-movement pieces of contrasting mood and tempo • An orchestral excerpt and an orchestral cadenza |
| Graduate |
**
Instrumental
auditions must be performed without accompaniment. • An etude or technical study • Two single-movement pieces of contrasting mood and tempo • Two orchestral excerpts and two orchestral cadenzas ** Please contact the Office of Admissions to arrange an audition. |
| Guitar | |
| Undergraduate |
**
Instrumental
auditions must be performed without accompaniment. All selections to be performed from memory. • An etude (e.g. Sor, Carcassi, Aguado, Villa-Lobos, Brouwer) • Two pieces of contrasting character, preferably from different periods |
| Graduate |
**
Instrumental
auditions must be performed without accompaniment. All selections must be performed from memory. • An etude • Two contrasting movements from two different major works (e.g. Bach, Barrios, Bennet, Britten, Walton, Ginastera, Brouwer, Martin, Takemitsu, etc.) |
| Brass (French Horn, Trumpet, Trombone, Tuba) | |
| Undergraduate |
**
Instrumental
auditions must be performed without accompaniment. • An Ètude • Two movements of a contrasting nature from a sonata or concerto |
| Graduate |
In-Person Auditions
|
| Opera | |
| Graduate |
**
All works are to be performed from memory. |
| Percussion (Snare Drum, Drum Set, Mallets, Timpani) | |
| Undergraduate |
**
Instrumental
auditions must be performed without accompaniment. |
| Graduate |
Applicants
must demonstrate proficiency in the areas described below: |
| Composition | |
| Undergraduate |
•
Submission of a portfolio of between two and five works (no more), at
least one of which must be for two or more instruments. • Scores should be legibly notated (by hand or by computer) photocopied (double-sided), and bound. • Recordings (tape or CD) are encouraged. • Make sure that there is an accompanying score for each submitted recording. • Write a short essay describing your musical influences and enthusiasms and what you hope to achieve as a composer. • Applicants may be asked to interview, in which case an in-person interview is preferred. • In exceptional circumstances a telephone interview may be arranged. |
| Graduate |
•
Submission of a portfolio of between three and six works (no more) –
at least one of which must be for large ensemble or orchestra
– showing an advanced level of compositional experience. • Scores should be legibly notated (by hand or by computer), photocopied (double-sided), and bound. • Recordings (tape or CD) are encouraged. • Make sure that there is an accompanying score for each submitted recording. • Write a short essay describing your musical influences and enthusiasms, and what you hope to achieve as a composer. • Applicants may be asked to audition, in which case an in-person interview is preferred. • In exceptional circumstances a telephone interview may be arranged. |
| Orchestral Conducting (Graduate) | |
| Graduate |
•A
video and audio recording of a rehearsal or performance. |
 |
|||||||||||||||||||||||||||
| | | | | | |||||||||||||||||||||||||||
|
|||||||||||||||||||||||||||
|
|||||||||||||||||||||||||||
| Copyright ⓒ 1998~2008 by Uhakclub. All rights reserved. | |||||||||||||||||||||||||||
