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San Francisco Conservatory of Music
1201 Ortega Street, San Francisco CA 94122-4498
ÇкÎ(Bachelor of Music) (Music Diploma):
Keyboard instruments
Guitar
Composition (B.M. only)
Orchestral instruments
Voice
¼®»ç(Master of Music)
Keyboard instruments
Guitar
Composition
Chamber Music
Orchestral Instruments
Voice
Conducting
Piano Accompanying
Artistic Certificate
Chamber Music
Postgraduate Diploma
Vocal Performance
¿ø¼ ¸¶°¨ÀÏ: °¡À»Çбâ(12¿ù 1ÀÏ), º½Çбâ(10¿ù 1ÀÏ)
2008-2009 academic year
Estimated Student Budget
¡¡Living with Parents
¡¡Living Independently
¡¡Tuition and Fees $32,080 $32,080 Room and Board $3,600 $9,900 Books and Supplies $580 $580 Personal Expenses $2,000 $2,000 ±âŸ $185 $185 Health Insurance $1,700 Total budget $38,445 $46,445 ¡¡
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- 20°³±¹À¸·Î ºÎÅÍ À¯ÇÐ ¿Â Çлý Æ÷ÇÔÇÏ¿© ¸Å³â 270¿©¸íÀÌ µî·Ï
- 4-18¼¼ÀÇ after schoolÇлý¼ö°¡ 400¿©¸í
¶óÀÌºê ¿Àµð¼Ç ¶Ç´Â DVD or videotape recorded in American standard NTSC format
Live ¿Àµð¼ÇÀº ¿ä±¸µÇ´Â ºÐ¾ß:
- All chamber musicÀº Live¿Àµð¼ÇÀ» ÇØ¾ßÇÔ solo auditionÀ¸·Î °¢ ¾Ç±â¿Àµð¼Ç °îÀ» ¿¬ÁÖÇØ¾ß ÇÔ
- Professional Studies Diplomaµµ live ¿Àµð¼Ç
- º½Çбâ Áö¿øÀÚ´Â a videotape or DVD·Î 10¿ù 1ÀϱîÁö ¿Àµð¼Ç °îÀ» pre-screening À¸·Î Á¦ÃâÇØ¾ß ÇÔ.
ÃÊûÀ» ¹ÞÀ¸¸é 11¿ù 1-2 ÁÖ¿¡ ¿Àµð¼ÇÀ» ÇÏ°Ô µÊ. (the Office of Admission at 800.899·Î Àüȸ¦ ÇØ¼ ÀÔÇп©ºÎ È®Àιٶ÷).
all spring applicants are required to submit a videotape or DVD of all required
audition repertoire for pre-screening purposes by October 1.
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Auditions in San Francisco
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Bassoon Feb. 1, 2009 Chamber Music Feb. 25, 2009 Clarinet Feb. 1, 2009 Composition (invitation only) Jan 25, 2009, Feb. 15, 2009 Conducting (invitation only) Jan. 21, 2009 Double Bass Feb. 2, 2009 Flute Feb. 2, 2009, Feb. 23, 2009 Guitar Jan. 27, 2009, Feb. 17, 2009, Feb. 24, 2009 Harp By Appointment Harpsichord By Appointment Historical Keyboards (PSD Only) By Appointment Horn Feb. 16, 2009, Feb. 23, 2009 Oboe Feb 1, 2009 Organ By Appointment Percussion Feb. 3, 2009, Feb. 24, 2009 Piano Jan. 30, 2009, Feb. 6, 2009, Feb. 15, 2009, Feb. 16, 2009 Piano Accompanying Jan. 30, 2009, Feb. 6, 2009, Feb. 15, 2009, Feb. 16, 2009 Timpani Feb. 3, 2009 Trombone-Bass Feb. 16, 2009, Feb. 23, 2009 Trombone-Tenor Feb. 16, 2009, Feb. 23, 2009 Trumpet Feb. 23, 2009 Tuba Feb. 16, 2009, Feb. 23, 2009 Viola Feb. 20, 2009 Violin Jan. 26, 2009, Jan. 30, 2009, Feb. 2, 2009, Feb. 9, 2009 Violoncello Jan. 28, 2009, Feb. 18, 2009 Voice (invitation only) Jan. 25, 2009, Feb. 1, 2009, Feb.15, 2009, Feb. 16, 2009 Regional Auditions
Interlochen Jan. 26, 2009 Chicago Jan. 27, 2009 Oberlin Jan. 28, 2009 Houston Jan. 29, 2009 Idyllwild (for Idyllwild students only) Boston Feb. 26, 2009 New York Feb. 27, 2009
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ÀÔÇÐ ½Åû ¼·ù ( Application Checklist ) - ÀÔÇÐ Áö¿ø¼ ( Completed and signed application )
- ÀÔÇÐÁö¿ø·á: $ 100
- ÀçÁ¤º¸Áõ¼ ( Financial Statement )
- ¿Àµð¼Ç Repertoire Sheet
- 2 ºÎ Ãßõ¼µé ( Letters of recommendation in sealed envelopes )
- ¼ºÀû Áõ¸í¼¿Í Á¹¾÷ Áõ¸í¼ ( Transcripts or certified translations )
- Àڱ⠼Ұ³¼( Personal essay )
- ¿Ü±¹ÇлýÀº TOEFL 500(173)Á¡ ÀÌ»ó, Professional Studies Diploma´Â 133, ¶Ç´Â ELS 109 Certificate
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¡¡ Piano ÇкΠA complete work from each of the following periods: Baroque (a Prelude and Fugue from the W.T.C. or a fugal movement from a Suite); Classical (a complete sonata by Haydn, Mozart, Beethoven or Schubert); Romantic (a work from the 19th century); and contemporary (a work from the 20th or 21st century).
¡¡´ëÇпø A major work of Bach (partita, toccata, suite, etc.); an entire Classical sonata; a Romantic work equal in difficulty to a Chopin ballade or scherzo; a 20th-century work equal in difficulty to the Copland Variations or the Bartók Suite Op. 14.
¡¡Piano Accompanying (´ëÇпø¸¸) A major solo work (refer to graduate piano requirements); a major instrumental sonata (Beethoven violin or cello sonata, Brahms violin sonata, etc.); a vocal group of four songs and/or arias, sight-reading. Applicants must provide their own instrumentalist and vocalist for the audition or request them in advance by contacting the Office of Admission when submitting the application and at least three weeks before the audition. Applicants auditioning at a regional site MUST provide their own soloists.
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¡¡ Viola ÇкΠTwo contrasting movements of a Bach solo suite, sonata, or partita; one movement from a standard concerto; one work of the applicant's choice.
¡¡´ëÇпø Two contrasting movements of a Bach solo suite, sonata, or partita; one movement of a concerto (with cadenza, as applicable); one movement of a sonata. One of the latter must be a 20th-century piece.
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¡¡ Violin ÇкΠBach solo violin sonatas and partitas (two contrasting movements); movement of a standard concerto; two études; one composition of the applicant's choice (optional).
¡¡´ëÇпø Two contrasting movements of a Bach sonata or partita; one Paganini caprice or brilliant concert piece; one complete Romantic or contemporary concerto; one movement of a Mozart concerto (optional).
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¡¡ Violoncello ÇкΠOne movement from a standard concerto; two contrasting movements from a Bach suite; one short work from the 20th-century repertoire.
¡¡´ëÇпø Two contrasting movements of a Bach cello suite; one movement of a sonata and one movement of a concerto, one of which must be from the 20th century.
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¡¡ Organ ÇкΠApplicants must either play the requirements for admission to the Piano major or show organ proficiency by performing works from the Bach Little Organ Book and Eight Short Preludes and Fugues or other standard organ repertoire.
¡¡´ëÇпø One work from each category: 1) A Bach work from the mature master period. 2) A major French work. 3) A work by an American composer. 4) One work in advanced style written after 1960.
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¡¡ Voice ÇкΠAn Italian aria or song from the 17th or 18th century (sung in Italian or English translation); two songs in English (not a translation); a piece chosen by the applicant; a reading of a short poem in English chosen by the applicant. This reading does not need to be memorized.
¡¡´ëÇпø Two opera arias in contrasting styles; three art songs in contrasting styles in three different languages, one of which must be English. The arias and songs must include pieces in German, French and Italian; a piece chosen by the applicant; a reading of a short poem in English chosen by the applicant. This reading does not need to be memorized.
¡¡Post-graduate Three opera arias in contrasting styles; three art songs in contrasting styles in three different languages, one of which must be English. The arias and songs must include pieces in German, French and Italian; a piece chosen by the applicant; a reading of a short poem in English chosen by the applicant. This reading does not need to be memorized.
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¡¡ Harp ÇкΠOne étude for harp; two compositions of intermediate or advanced difficulty from different periods.
¡¡´ëÇпø Evidence of solo performances and orchestral participation must be shown; Ravel Introduction et Allegro, Handel Concerto in B-flat (entire work), or comparable works.
¡¡¡¡ Flute ÇкΠOne work from each category (does not need to be memorized): 1) Any of the sonatas of J.S. Bach or Mozart concerti in G or D. 2) Sonatas: Hindemith, Piston, Martinu, or Poulenc, or a sonata of equivalent difficulty. 3) Pieces: Chaminade Concertino, Fauré Fantasie, Enesco Cantabile and Presto, or a piece of equivalent difficulty.
¡¡´ëÇпø One work from each category (does not need to be memorized): 1) Concerti: Mozart D Major (with cadenzas), Ibert, Nielsen, or comparable. 2) Sonatas: Martinu, Reynolds, Prokofiev, Gaubert, or comparable. 3) Orchestral excerpts.
¡¡¡¡ Clarinet ÇкΠAn étude of the candidate's choice from either Rose 32 Études for Clarinet or Baermann Method for Clarinet, Second Division; one of the following: Mozart Concerto in A Major, Karl Stamitz Concerto in B-flat Major, Weber Concertino Op. 26.
¡¡´ëÇпø One étude from Uhl, Sigel, or Jeanjean; orchestral excerpts; two works chosen from the following: Debussy Premiere Rhapsody, Stravinsky Three Pieces for Solo Clarinet, Copland Concerto, Nielsen Concerto Op. 57, or Berg Four Pieces for Clarinet and Piano, Op. 5.
¡¡¡¡ Composition Áö¿øÀÚ ¸ðµÎ 1) Three or more scores in various media that show evidence of original musical thought and fundamentals of compositional technique. Tape compositions are acceptable, but applicants must also show competence in traditional notation in the scores submitted. Computer-generated scores should be checked for correct transpositions, appropriate accidentals, and normal spellings. Scores are due by December 15.
2) Demonstrated ability at the piano. It is strongly recommended that this be done at a live audition, either at the Conservatory or at one of the regional audition sites. One complete piece should be performed from three of the following periods: baroque, classical, romantic, and twentieth century. In addition, the applicant is encouraged to perform at least one composition that is their own. Should piano not be the candidate's 'primary' instrument, the applicant is encouraged to play repertoire on their primary instrument IN ADDITION to the piano requirements. The composition department reserves the right to pre-screen all submitted scores and to invite only those applicants who pass the pre-screening process to attend the live or regional piano audition/interview. If you are eligible to submit a taped audition in lieu of attending a live one, piano tapes are due with your scores on December 15.
¡¡¡¡ Conducting ´ëÇпø¸¸ 1) An unedited video recording of the applicant conducting a group in rehearsal for at least 30 minutes, due by December 1. A full orchestra is not necessary. Applicants may include a concert performance in addition to the 30 minutes of rehearsal, but this is not required. All videos must be clearly labeled with the applicant's name, the name of the ensemble and pieces rehearsed. Standard American VHS (NTSC) or DVD (Region 1) format is required.
2) Based on the tape and other submitted admission materials, applicants will be invited to audition in person at the Conservatory in February. On the audition day, applicants will be tested in musicianship, score reading, figured bass and keyboard harmonization of a melody, and will conduct the Conservatory orchestra. Applicants should be prepared to conduct the orchestra in all movements of the following: Beethoven, Third Symphony (Eroica); and Elgar, Enigma Variations.
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